In my experience, movies based on books rarely live up to the promise of the book. But as I started reading Q&A by Vikas Swarup while comparing it to Slumdog Millionaire I found it hard to unequivocally decide which was better – the book or the movie. So I decided to do it the quantitative way!. I wanted to compare the two and assign points as I went along. Eventually I gave up because it turned into a no contest.
First of all we have the issue to of language/medium. I am okay with everyone talking in English because that is the language of the movie (and the book), but the movie is inconsistent with it’s usage of language. It is as if the director couldn’t make up his movie whether he wanted to use Hindi or not. In the book, this problem is not there but there is another, more serious, problem. The author dumps thoughts and experiences on the narrator that the narrator could not possibly have ever had. I don’t have the book with me right now and I read it a few weeks ago, so I do not have an example, but if you have read The White Tiger or A Fine Balance you would know what I am talking about.
Book: 0 Movie: 0
In the book, the show is called Who Will Win a Billion or W3B. The protagonist wins the jackpot before even the first episode is aired. The producers don’t have the revenue to afford a billion rupee prize until the first eight months. They offer the commissioner of police a cut of 10% (of what?) to prove the protagonist guilty. The police have a confession almost signed before a young female lawyer mysteriously appears and rescues our guy.
I thought that the book was more irreverent and cynical (a prize of a billion! the biggest prize ever!) and the producers have a more credible motive of denying the prize. Book wins.
The first question in the book concerns Armaan Ali (and not Amitabh Bachchan) who is the next big superstar in the tradition of Amitabh Bachchan or Shahrukh Khan. It is the hero’s friend (not brother Salim) who is a devoted fan of the film star, not the hero himself. The whole episode is quite silly in the book but handled pretty well in the movie. Movie wins this one.
In the book, the protagonist is abandoned at a church. He is adopted by a Christian family but his adopted mother runs away and his adopted father returns him to the church where he grows up without realizing the difference between father and Father. The church undergoes the danger of being attacked for “conversions” so the boy is renamed Ram Mohammed Thomas (after a brief debate over the merits of names Ram Thomas and Mohammed Thomas)
The movie turns him into a Muslim boy orphaned by rioting Hindus. More dramatic but I like the book version (even though the book character sounds like Anthony Gonsalves). Book wins.
At some point the stories in the movie and the book start to diverge. A point to note here is that, unlike the movie, in the book the order of the questions does not chronologically align with the incidents of the protagonists life. Thus, the narration jumps back and forth making you do the guesswork to fill the gaps between the different story fragments. I find is hard to understand why the director would throw out this interesting non-linear narration in favour of the straight line and predictable story line in the movie. Book wins again.
In the book I kept waiting for Latika to show up. There happens to be a girl on the train though who Thomas rescues from a dacoit but she is quickly forgotten. There is no mention of the three musketeers. Should the movie lose a point for being too lovey-dovey? Was Danny Boyle attempting a “Bollywood” take on the story here? Not so sure here.
Book: ? Movie: ?
Okay, so after a point, the book loses it completely. No point bothering with the scores because halfway through the story, the book becomes too *fantastic* using too many coincidences and doesn’t even pretend to be realistic. Given that the movie itself is fantasy-like, you have to imagine how worse the book would be.